This document provides information about several notable Filipino dancers who have been named National Artists of the Philippines for Dance. It discusses their contributions to researching, preserving, and choreographing traditional Philippine folk dances as well as incorporating folk dance traditions into ballet. The dancers profiled include Francisca Aquino, known for her early research of Philippine folk dances; Leonor Goquingco, a pioneer in blending folk dance and ballet; Ramon Obusan, who established a dance company focusing on indigenous dances; and Alice Reyes, the founder of the premier ballet company Ballet Philippines.
The document summarizes information about National Artists of the Philippines. It discusses that the National Artists Award bestows the highest recognition to Filipino artists and is administered by the NCCA and CCP. It was established in 1972 by President Ferdinand Marcos. The first recipient was Fernando Amorsolo. Currently there are 66 recipients across 7 disciplines, although other categories have been awarded by presidential prerogative, such as historical literature and fashion design. Examples of works by National Artists on display in public spaces at UP Diliman are provided. Specific details about the Church of the Holy Sacrifice designed by National Artist Leandro Locsin are also given.
The document provides biographical information about various Filipino artists who have been awarded the title of National Artist by the Philippines. It discusses the criteria for receiving the award, which honors artists who have helped build Filipino cultural identity and promoted the arts. Brief profiles of National Artists are provided for different artistic disciplines, including painting, sculpture, dance, and visual arts. The artists' contributions and major works are highlighted in the summaries.
The document discusses the evolution of Philippine music from its indigenous roots to its contemporary forms due to colonial influences like America. It then profiles several important Filipino composers - Rodolfo Cornejo, the first Filipino to earn two doctorates in music; Chino Toledo, who studied under renowned musicians and composed works for orchestra and choir; and Ryan Cayabyab, one of the most popular composers today known for musical theater works, pop songs, and establishing a music school.
Contemporary Philippine Arts from the RegionsNoel Banca
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, and architecture. The document then profiles several influential Filipino artists such as Fernando Amorsolo, Hernando Ocampo, Benedicto Cabrera, Carlos Francisco, Cesar Legaspi, and others known for works depicting Philippine culture and scenes as well as more abstract styles of painting and sculpture that modernized Philippine art.
This document provides information on six Filipino artists who have been designated National Artists of the Philippines in recognition of their significant contributions to their fields. It discusses Antonio Buenaventura and Jose Maceda in music, Francisca Reyes Aquino and Ramon Obusan in dance, Daisy Avellana and Rolando Tinio in theater, Francisco Arcellana and Edith Tiempo in literature, and Fernando Amorsolo, Carlos "Botong" Francisco, Guillermo Tolentino, Francisco Coching, and Victorio Edades in visual arts. For each artist, it highlights some of their major works and research that helped promote and popularize Philippine culture.
The owner of this Powerpoint presentation gives all credits to its sources. However, copying the content of this presentation without the approval of the owner is against the Republic Act 10175 or the Philippines Cybercrime Prevention Act of 2012.
Contemporary philippine arts from the regionsThesally Sosa
This document provides information on important figures and developments in Philippine art and culture from the early 20th century onwards. It lists plays, architects, urban planners, artists, writers, and cultural figures such as Fernando Amorsolo, Victorio Edades, Juan Luna, and Carlos "Botong" Francisco. It also mentions key cultural institutions like Liwayway magazine and buildings such as the Metropolitan Theater in Manila.
This document highlights several Filipino folk artists who received the Gamaba Award for preserving traditional Philippine folk arts. It describes each artist's specific art form and contributions, including poets who documented oral traditions, musicians and dancers who mastered indigenous performance styles, artisans who created religious carvings and metalworks, and weavers who preserved textile traditions through mats, cloths, and other fabrics. These Gamaba Awardees have helped keep Philippine folk arts alive through skills passed down using traditional methods and materials.
This document provides information on Philippine contemporary sculpture, including key sculptors and their works. It discusses sculptural styles and materials used by Filipino artists like Guillermo Tolentino, Julie Lluch, Abdulmari Imao, and Renato Habulan. The four basic sculpture techniques of modeling, carving, casting, and assembling are also outlined. Regional variations and movements like constructivism, kinetic sculpture, and assemblage are explored in the evolution of contemporary Philippine sculpture.
American Period to Post War Republic (CPAR 11/12)John Labrador
Contemporary Philippine Arts from the Region
American Colonial Period (1898-1940)
Japanese Colonial Period (1941-1945)
Post War Republic (1946-1969)
Featured:
Notable artists and their artworks
Distinct historical events
Artistic concepts and techniques
Contemporary art in the Philippines reflects the country's diverse identity and complex social issues. Filipino artists portray subjects and use mediums in innovative ways that express Philippine culture and history, which has been influenced by colonial powers. A key contemporary artist, Ronald Ventura, is known for paintings that blend styles like realism and graffiti in layers that represent the multifaceted Philippine identity. Contemporary architecture has also emerged with a Filipino style seen in modernized traditional forms. A pioneer in landscape architecture, Ildefonso Santos designed parks and outdoor spaces that incorporated local plants and design elements. Philippine sculpture also continues traditions from ancestral carvings while adapting to modern themes.
Theatre and performance arts on stage and onMonte Christo
This document summarizes performance arts and theatre in the Philippine regions. It describes different forms of performance arts including dance, music, and theatre. It also identifies key contemporary performance and theatre artists in the Philippines and their contributions to developing performing arts. Elements of dramatic theatrical performances are defined including plot, character, language, music, and spectacle. Different theatre stage styles are explained like proscenium, thrust, and arena stages. The document also discusses styles in Philippine theatre like realism and notable playwrights who have advanced realism and social realism in Philippine theatre.
This document discusses contemporary dance in the Philippines. It provides information on 3 big names in Philippine dance: Alice Reyes, known as the "Mother of Contemporary Dance" who professionalized dance in the country; Liza Macuja-Elizalde, founder of Ballet Manila; and Douglas Nierras, prominent in jazz dance. It also mentions different contemporary dance styles like disco and hip hop, as well as top dance crazes that became hits in the Philippines like the Nobody Dance and Shake Body Dance. Traditional folk dances also abound across Philippine regions.
Contemporary Philippine Arts from the Regions Ron Razo
The document provides an overview of contemporary and traditional arts from the Philippines regions. It discusses major art forms like literature, music, dance, and theater. It also outlines the different types of art including fine or aesthetic arts which are primarily for enjoyment, and practical or utilitarian arts which are intended for practical use. The document then gives a timeline of art in the Philippines from pre-colonial times to the contemporary era, noting the influences and styles of ethnic, Islamic, Spanish, American, Japanese, modern and contemporary periods. It also discusses the title of National Artist which is the highest recognition given to those who have significantly contributed to Philippine arts.
This document discusses different forms of multimedia and ballet in the Philippines. It describes how Philippine ballet companies present both Western stories and local folktales through dance, gestures, and movements. Some famous companies are mentioned, along with adaptations of stories like Lola Basyang and the Ramayana. Musical plays are also discussed, including Broadway shows and popular Filipino productions based on biographies and novels.
A continuation of Philippine Art Timeline, now from Spanish Colonial Period till the 1970s to Contemporary... See 1.0 for Pre - Conquest to Islamic Colonial Period
Fernando Amorsolo was a famous Filipino painter known for his idyllic landscapes and portraits of rural Philippine life. He spent his youth in Camarines Norte and studied art at the University of the Philippines. Amorsolo became a renowned painter known for his depictions of rice farming, mothers and children, and bucolic scenes. Despite international acclaim, he remained devoted to portraying Filipino subjects and culture. Amorsolo had a prolific career, with his paintings in high demand both in the Philippines and abroad. He is regarded as one of the most influential Filipino artists.
The document outlines the timeline and characteristics of art in the Philippines from pre-colonial times to the present. It discusses pre-colonial, ethnic arts which served ritual or everyday purposes. During Spanish colonization, art propagated the Catholic faith and supported colonial rule. In the American era, commercial and advertising arts were integrated into fine arts education and secular forms were favored. Under Japanese occupation, indigenous Philippine art and traditions were emphasized. The modern era focused on questions of national identity, while contemporary art reflected aspirations for a just, free, and sovereign society through social realism.
This document provides biographies of three important figures in Philippine contemporary music:
1) Jose Maceda (1917-2004), considered the first Filipino avant-garde composer, dedicated his life to researching and preserving traditional Philippine music. Some of his works incorporate traditional instruments.
2) Ramon P. Santos (1941- ), known for compositions fusing Western styles with indigenous elements. He has extensively researched traditional Philippine tribal music.
3) Fr. Manuel Maramba (1936- ), a Benedictine monk and influential composer of sacred music, including pieces commemorating Filipino saints. He helped establish performing groups and taught at the University of Santo Tomas.
PHILIPPINE FOLK DANCE AND ITS ORIGIN.pptxJyanSaladas1
The document provides an introduction to Philippine folk dances, including their origins, classifications, and significance. It discusses how folk dances communicate the customs and traditions of different regions in the Philippines. The major classifications of Philippine folk dances are described, such as Cordillera dances from northern Luzon, dances with Spanish influences, Muslim dances of Mindanao, and rural dances that depict daily life. Common folk dances like Tinikling and Singkil are explained. The document emphasizes how folk dances play an important role in preserving Philippine cultural heritage.
This document provides an overview of traditional folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. It describes several distinct dances from each region, highlighting their origins and cultural significance. The dances often depict daily life or reflect the influence of Spanish colonization. Costumes and movements are used to portray activities like farming, fishing, and battle. The document aims to showcase the variety of cultural expressions across the Philippines' regions through traditional folk dances.
Folk dances have developed throughout various regions of the Philippines reflecting different cultural influences and traditions. Pre-Hispanic indigenous tribes performed dances for rituals and celebrations, while Spanish colonization introduced elements of European dance. Different folk dances tell stories of history, life, and religion through lively movements and costumes. Examples mentioned include the national Tinikling dance of Leyte, dances portraying animals from Visayas like the Itik-Itik duck dance, and Muslim dances from Mindanao like the Singkil royal dance.
The document provides an overview of contemporary arts from various regions in the Philippines, including Ilocos Region, Zamboanga Peninsula, Caraga Region, and the provinces of Agusan del Norte and Agusan del Sur. It summarizes key cultural aspects such as dances, festivals, musical instruments, visual arts, and literature. It describes traditional dances like Kuratsa and Singkil and festivals like Pamulinawen, Pinakbet, and Buklog. It also highlights notable artists and artworks representing the different regions.
GRADE 7 PE FOLK DANCE.pepepepepepepepepepepepeedeldearceIII
This document provides information about various folk dances from different regions of the Philippines. It describes dances like Binasuan from Pangasinan which involves dancing with drinking glasses, Maglalatik from Laguna which reenacts battles between Moros and Christians, and Pandanggo sa Ilaw from Mindoro which mimics fireflies dancing with oil lamps. Other dances mentioned include Sayaw sa Bangko from Pangasinan danced by couples on a narrow bench, Subli from Batangas originating from a devotion ceremony, and Cariñosa from Panay Island which depicts courtship between sweethearts. Folk dances from the Visayas like Kuratsa from Leyte imitating rooster and hen court
This document provides information about arts from different regions in the Philippines, with a focus on music and dance. It discusses various forms of traditional and folk music from the pre-Spanish, Spanish, and American periods. It also describes many traditional folk dances from various regions, including Tinikling from Leyte, Itik-Itik from Surigao, Sayaw sa Bangko from Pangasinan, and others. The document emphasizes the significance of preserving and promoting regional arts forms in Filipino culture.
The document summarizes some of the major folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct cultural influences and variations in their folk dances, which often depict important historical and social aspects of daily life. Some dances described include the Banga from Luzon, which shows women balancing heavy water pots; Tinikling from Visayas, the national dance performed by hopping between bamboo poles; and the Singkil from Mindanao, reenacting a legendary princess's escape from a forest during an earthquake. Overall, the folk dances reflect both the hardships and talents of the diverse Filipino people.
Dance is an expression of life through rhythmic movement. When dance develops patterns and organization, it becomes a specific form. Cave paintings suggest dance existed in the Paleolithic period. Primitive dances were used in tribes for survival and transcendence, using repetition and rhythmic movements. Ritual dances later represented civilization and mythology. Folk dances reflected social expression through familiar motifs. Theater dance forms like ballet and Indian dances incorporated gestures and complex movements to express emotions. Modern dance emphasized individual creativity. Notable Filipino dancers who advanced Philippine dance include Frances Reyes Aquino, Leonor Orosa-Goquingco, and Lucrecia Reyes-Urtula.
This document provides an overview of traditional folk dances in the Philippines. It describes 8 specific dances, including their origins and movements. The Maglalatik represents battles between Moro tribesmen and Spanish soldiers. The Pandanggo sa Ilaw involves gracefully dancing with candles balanced on the body. Tinikling mimics birds stepping through bamboo traps. Other dances described are Itik-Itik (inspired by duck movements), Sayaw sa Bangko (performed on benches with acrobatics), Kuratsa (depicting courtship), Cariñosa (involving flirtatious fans/peeking), and Daling-Daling (a courtship dance from Sulu involving singing of lovers' devotion
The document discusses Philippine folk dance. It begins by stating the objectives of the lesson, which are to determine the nature of folk dance, identify classifications of Philippine folk dance, value the importance of folk dance, and recognize the value of health through physical activity. It then discusses that folk dance is the oldest form of dance, evolved from everyday activities, and styles may differ by region. It also notes that Philippine folk dances reveal unique culture and help build national identity. The document goes on to classify Philippine folk dances into Cordillera, Spanish Influence, Muslim, Tribal, and Rural/Countryside dances based on influences and themes. It highlights five women instrumental in developing and promoting Philippine folk and modern dance, including National Artists Francis
Francisca Reyes-Aquino began collecting Philippine folk dances in the 1920s while studying at the University of the Philippines. She traveled to remote villages to document traditional dances before Western culture could modify them. She published her first collection of Philippine folk dances and games in 1927. The dances reflected the diversity of Philippine culture and were classified into five major groups - Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances. Each dance type expressed aspects of associated traditions, rituals, and ways of life through music, movement, and costumes unique to different regions of the Philippines.
Dance involves rhythmic motions performed to music. It is one of the oldest art forms, with origins in worship, courtship, and ceremonies. There are many reasons why people dance, including for fun, recreation, and entertainment. There are several kinds of dancing like folk, social, and theatrical dances. Folk dances are native to specific cultures while social dances are performed in pairs, and theatrical dances are performed for audiences. Elements of dance include theme, design, movement, technique, music, and choreography.
The document discusses Philippine folk dances. It begins with a prayer asking for guidance in learning. It then provides background on Francisca Reyes-Aquino, who collected folk dances in the 1920s to preserve cultural heritage. The document categorizes major folk dance types and provides examples: Cordillera dances reflect rituals; Spanish dances show European influence; Muslim dances use intricate movements; tribal dances portray beliefs and nature; rural dances depict work and celebration. It defines key terms like folk dance and explains their significance in reflecting Filipino life. Examples like the Maglalatik war dance and Oasiwas fishing dance are described. The document stresses the importance of preserving cultural heritage through folk dances.
2012 NCSP.Cultural Influences of Dance in Physical EducationUp Danzprof
Dance as 'embodied identity' provides 'movement artifacts' that showcase the qualities of our being Filipinos. The Western social dance forms that came to our shores were adapted to suit our temperament, psychological inclinations, our beliefs and customs. Erasing them would mean completely removing the traces of our uniqueness as Filipinos. Handing them down to the current generation allows them to learn about Filipino culture. Presented at the First National Conference on Sports Pedagogy, October 2012, University of the Philippines, Diliman, Quezon City.
Dance is an art form that involves movement of the body. It developed along with human evolution and is almost universal across cultures. Dance serves various functions such as worship, storytelling, and entertainment. The document discusses the history of dance in ancient civilizations, medieval Europe, and the development of ballet and modern dance. It also covers the origins and elements of dance including body, action, space, time, and energy. Finally, it summarizes the history and examples of folk dances from different regions of the Philippines.
This document provides an overview of various traditional dances from the Philippines. It describes dances from different regions and time periods, including pre-colonial, Spanish colonial, and American colonial eras. Some of the dances discussed include the Banga or pot dance of the Kalinga people, the Tinikling bamboo dance of Leyte, the Maria Clara dance which merged Spanish and Philippine styles, and the Cariñosa folk dance introduced by the Spanish. The document provides background on the origins and cultural significance of 18 different Philippine dances.
This document describes several traditional dances from the Philippines and surrounding Asian countries, including their origins, cultural influences, costumes, music, and movements. It discusses Binislakan from Pangasinan which uses sticks in imitation of Chinese chopsticks. It also summarizes Sua-Ku-Sua, a courtship dance from Sulu involving fans, and Pangalay, a dance from Sulu requiring finger dexterity. Further dances summarized are Tiklos from Panay and Leyte performed by peasants, Sakuting from Abra and Ilocos Norte involving rhythmic sticks, and their origins, music, and costumes.
Regional and National Dances with Asian Influence mapeh 8 pe Q4John Michael Gian
This document discusses several traditional dances from the Philippines and surrounding Asian countries. It provides background information on the Binislakan dance from Pangasinan, influenced by Chinese culture. It also summarizes the Sua-Ku-Sua courtship dance of the Tausug people from Jolo, featuring fans representing leaves. Finally, it describes the Pangalay dance of the Tausug people requiring finger dexterity, and several other Philippine dances including Tiklos, Sakuting, and their cultural influences.
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Terrance Lindall has recently announced the upcoming Gold Elephant Folios, projected to be available by September 2014, in which Bienvenido Bones Bañez Satanic Verses will be illustrated with his own images centered and Lindall's images along the periphery. Lindall's work of this sort has already been praised highly by renowned Milton collector Robert J. Wickenheiser :
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Lindall's art for Paradise Lost appears on the May 2014 edition of Cambridge University's Milton Companion to Paradise Lost http://www.cambridge.org/us/academic/subjects/literature/renaissance-and-early-modern-literature/cambridge-companion-paradise-lost
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2. According to dance scholar, B. E. S. Villaruz,
the diversity of Philippine dances is
“manifested in different dynamics and
forms, grew out of the various contexts
and experiences of the people.”
This explains how the movement and
choreography are based on the different
environments in the archipelago.
3. TINIKLING
One of the oldest dances in the country
It is derived from the movements of the tinikling
bird as it wanders on grass stems and crushes
several branches of trees
Dance performers skip gracefully back and forth
while trying to avoid getting their feet caught by
two bamboo poles.
4. Other popular dances in the country:
Binasuan
Carinosa
Pandanggo sa Ilaw
Maglalatik
5. CARIÑOSA
Derived from the Spanish word that means “the
loving or affectionate one.”
The courtship dance is closely associated with the
Panay islands in the Visayas region and is said to
have Hispanic origin
6. MINDANAO. . .
It is known for its spirituality, royalty, and splendor
which are evident in their dances.
Mindanao dances are characterized by colorful and
elaborate costumes as well as precise and regal
movements.
Some of their most popular dances: Pangalay, Burung
Talo, and Asik
10. FRANCISCA REYES AQUINO
One of the pioneers of Filipino folk
dances.
She is a teacher, nationalist, and
the first Filipina to be awarded of
the Order of the National Artists for
Dance.
11. FRANCISCA REYES AQUINO
In 1920’s, Aquino conducted research
on Filipino dances by visiting
secluded districts and neighborhoods
in the island of Luzon.
Her 1926 thesis entitled “Philippine
Folk Dances and Games” has been a
thorough guide to many educators
and students in understanding the
different dances in the country.
12. FRANCISCA REYES AQUINO
She received several other awards,
which include the Republic Award of
Merit awarded by the former
President Ramon Magsaysay and a
Cultural Award from United Nations
Educational, Scientific and Cultural
Organization (UNESCO)
14. LEONOR O. GOQUINGCO
Also known as “Cristina Luna”,
has been dubbed as the
Trailblazer, Mother of Philippine
Theater Dance, and Dean of
Filipino Performing Arts Critics.
15. LEONOR O. GOQUINGCO
Piano playing, scene and
costume design, sculpture,
acting, direction, dance, and
choreography.
She has pioneered the blending
of folk dance and ballet, making
the latter more variable.
16. LEONOR O. GOQUINGCO
Famous choreographies:
The Firebirds, The Clowns, and Noli
Dance Suite
She produced Filipinescas:
Philippine Life, Legend and
Lore in Dance in 1960
(Inspired by dances of the
Igorots)
17. LEONOR O. GOQUINGCO
Book:
The Dances of the Emerald
Isles: A Great Philippine
Heritage (1980)
-it covers a comprehensive cross
section of the inestimable music
and dance tradition of the Filipinos
19. RAMON OBUSAN
He is a dancer, choreographer,
stage designer and artistic
director
In 1972, he established the
Ramon Obusan Folkloric Group
(ROFG), a dance company that
reflects the culture of Filipinos in
dance and music.
20. RAMON OBUSAN
ROFG performed dance
productions and rituals from
ethnolinguistic and indigenous
groups including those from the
natives of Cordillera, the Bagobo,
the Aeta, the Meranaw (Maranao)
and the T’boli.
22. LUCRECIA REYES-URTULA
She was a dance director of
the Bayanihan Philippine
National Folk Dance
Company
(now the Bayanihan Dance
Company), the oldest dance
company in the country
23. LUCRECIA REYES-URTULA
She choreographed creative
dances based on her
impressive research on
cultural dances.
Some of her most recognized
dances:
Singkil, Vinta, Tagabili, Pagdiwata,
and Salidsid
25. ALICE REYES
The legendary founder of
Ballet Philippines, the
country’s premier ballet
dance company.
She extensively trained
abroad at the Colorado
College and the Sarah
Lawrence College
26. ALICE REYES
Choreographer of the ff.
ballet productions:
Cinderella, and
Romeo & Juliet
Filipino works:
Amada, Itim-Asu, Bayanihan
Remembered, and Mga
Babae